March 2011 ~ DancefloorResolutions.blogspot.com

Wednesday, March 30, 2011

Blue Bass 5 years Vol.1 & Blue Bass 5 years Vol.2.

Saturday, March 26, 2011

DanceFloor Resolutions :: Parallel Relations. mix

Tuesday, March 22, 2011

DanceFloor Resolutions :: Mandragora Visions Mix

Friday, March 18, 2011

Corrugated Tunnel ::Tokyo Is Falling EP

Tuesday, March 15, 2011

Prommer Barck Feat Lois Longerling :: Lovin

Agoria :: Impermanence :: LP

AGORIA
HEART BEATING feat KID A (REMIXES)
Single Release: 12″ Vinyl 14/03/11 – Digital 24/03/11
Original
Sylvain Chauveau Orchestral Remix
Argy Tension Remix
John Roberts Remix
Fraction Remix

Friday, March 11, 2011

Mucky Pups (aka M in and Jonas) :: What Makes You Happy feat. Nick Maurer

Wednesday, March 9, 2011

Agaric :: Who Made Up The Rules LP

Patrik Skoog aka Agaric Patrik

Tuesday, March 8, 2011

Records like this don't come very often. Thankfully it seems there are still people out there who care enough to create beautiful projects and timeless music. After the ingenious ''June'' white label came out last summer, These Days Records' office fell in love with it and without wasting any time rushed to contact the mysterious artist and propose an album. Although well-hidden in a secret back-alley of West London where June lives and dreams music, his unique approach on Acid House, Synth Wave, Chicago House and 80's Nostalgia was too good to be left unnoticed.

Monday, March 7, 2011

Ahmet Sisman :: Saruka ep

Sunday, March 6, 2011

DanceFloor Resolutions :: Aristocracy mix

Toto Chiavetta Feat Bhunu Brill & Percy :: Lost In Your Love

Mark Henning :: S’all Good (Canson Remix)

Saturday, March 5, 2011

DanceFloor Resolutions :: CosmoRiders Mix

DanceFloor Resolutions :: Unrequited Love mix

DanceFloor Resolutions :: La Puta mix

Laputa is a fictional flying island or rock, about 4.5 miles in diameter, with an adamantine base, which its inhabitants can maneuver in any direction using magnetic levitation. Its population consists mainly of educated people, who are fond of mathematics, astronomy, music and technology

Thursday, March 3, 2011

Black Coffee Feat Hugh Masekela :: We Are One

Wednesday, March 2, 2011

Pan Pot :: Captain My Captain

VA :: The Sound Of Glasgow Part II

Deniz Kurtel :: Music Watching Over Me

Crosstown Rebels have come into a renaissance period in 2010, championing some of the most exciting new music in the underground scene. Artists such as Art Department, Maceo Plex and Deniz are set to follow in the footsteps of Jamie Jones and Glimpse, given the freedom to let loose their creative sounds within artist albums in 2011. “I was lucky to connect with a label that really appreciated my style and my creative journey at such an early stage,” said Deniz of her partnership with the label.

A tale of diversity and culture, ‘Music Watching Over Me’ unveils Deniz’s roots and inspirations, “My motivation as an artist is to constantly grow and evolve, and make music that excites me, hoping it excites others too.” We hope to share her personal journey, of which this is only the start.

Ahmet Sisman :: Yakin Ve Uzak / Near And Far 2.1

Luisito Quintero :: Gbagada Gbagada Gbogodo Gbogodo

Tuesday, March 1, 2011

Stranger Danger :: Chuggy Lovebottoms

Electronic Music

Is music that employs electronic musical instruments and electronic music technology in its production. In general a distinction can be made between sound produced using electromechanical means and that produced using electronic technology.Examples of electromechanical sound producing devices include the telharmonium, Hammond organ, and the electric guitar. Purely electronic sound production can be achieved using devices such as the Theremin, sound synthesizer, and computer.

Electronic music was once associated almost exclusively with Western art music but from the late 1960s on the availability of affordable music technology meant that music produced using electronic means became increasingly common in the popular domain.

Electronic dance music is a broad set of percussive music genres that largely inherit from 1970s disco music and, to some extent, the experimental pop music of Kraftwerk. Such music was originally borne of and popularized via regional nightclub scenes in the 1980s. By the early 1990s, the presence of electronic dance music in contemporary culture was noted widely and its role in society began to be explored in published historical, cultural and social science academic studies.It is constructed by means of electronic instruments such as synthesizers, drum machines and sequencers, and generally emphasizes the unique sounds of those instruments, even when mimicking traditional acoustic instrumentation. It sometimes encompasses music not primarily meant for dancing, but derived from the dance-oriented styles.

Today electronic music includes many varieties and ranges from experimental art music to popular forms such as electronic dance music.

Deep House Music

Deep house music is a style of house music which fuses elements of Chicago house, disco, 80's soul, jazz-funk and Detroit techno. The Jazz influences of deep house are most frequently brought out by chords using more complex than simple triads (7ths, 9ths, 13ths, suspensions, alterations) which are held for many bars, which give the tracks a slightly dissonant feel. The Disco music sound is a heavy influence in Deep House. The use of vocals is also more common in deep house than in many other forms of house music.

Techno Music

Techno music is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, USA during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of synthesizer-based music with various African American styles such as Chicago house, funk, electro, and electric jazz. Added to this was the influence of futuristic and fictional themes that were relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism.

To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

Minimal Techno Music

Minimal techno music is a form of dance music (EDM) that is considered a minimalist subgenre of techno. It is characterized by a stripped-down aesthetic that exploits the use of repetition, and understated development. This style of dance music production generally adheres to the motto less is more; a principle that has been previously utilized, to great effect, in architecture, design, visual art, and Western art music. The tradition of minimalist aesthetics in Western culture can be traced to the German Bauhaus movement (1919 to 1933). Minimal techno is thought to have been originally developed in the early 1990s by Detroit based producers Robert Hood and Daniel Bell.